The Ramones : The Ramones ( Expanded Edition )
The Ramones
is the debut
studio album
by American
punk rock band
The Ramones,
released on
April 23, 1976
by Sire Records.
After Hit Parader editor
Lisa Robinson
saw the band
at a gig in
New York City,
she wrote about them
in an article and
contacted Danny Fields,
insisting that he be
their manager.
Fields agreed and
convinced Craig
Leon to produce
The Ramones,
and the band recorded
a demo for prospective
record labels.
Leon persuaded
Sire president
Seymour Stein
to listen to the band perform,
and he later offered
the band a recording contract.
The Ramones
began recording in January 1976,
needing only seven days
and $6,400 to
record the album.
They used similar
sound-output techniques
to those of
the Beatles
and used advanced
production methods by Leon.
The album cover,
photographed by
Punk magazine's
Roberta Bayley,
features the four members
leaning against a brick wall
in New York City.
The record company
paid only $125
for the front photo,
which has since become
one of the most imitated
album covers of all time.
The back cover
depicts an eagle belt buckle
along with the album's liner notes.
After its release,
The Ramones
was promoted with
two singles
which failed to chart.
The Ramones
also began touring
to help sell records;
these tour dates were
mostly based in
the United States,
though two were booked in Britain.
Violence,
drug use,
relationship issues,
humor,
and Nazism
were prominent
in the album's lyrics.
The album opens with
"Blitzkrieg Bop",
which is among the band's
most recognized songs.
Most of the album's tracks
are uptempo,
with many songs
measuring at well over
160 beats per minute.
The songs are also rather short;
at two-and-a-half minutes,
"I Don't Wanna Go Down to the Basement"
is the album's longest track.
The Ramones
contains a cover
of the Chris Montez
song
"Let's Dance".
The Ramones
peaked at No. 111
on the US Billboard 200
it received glowing reviews
from the reputed critics
who wrote about it.
Many later deemed it a
highly influential record,
and it has since received
many accolades,
such as the top spot on
Spin magazine's
list of the
"50 Most Essential Punk Records".
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